Album Review: Future Disco Vol. 6: Night Moves - Various

It's that time of year again - we're approaching the end of winter and the beginning of spring and as a soundtrack we have the latest offering in Needwant's Future Disco series.

The last Future Disco album was good enough to be enjoyable but didn't quite hit the peaks of Future Disco Vol. 4, so the pressure is on for Vol. 5, subtitled Night Moves, to mark a return to form.

First things first: the disco is back. Where Vol. 5 became lost in the corridors of house music Night Moves is a little more focused again. Miguel Campbell's Not That Kind Of Girl, a mid-tempo house track, opens but Mario Basanov's mix of Playground by MotorCitySoul is filtered but boasting a funky b-line and some lush guitar picking. From here Bonar Bradberry drops the lights on Loose Grip, a deep, locked groove with a celebratory hands-in-the-air break.

The album keeps things deep through to an exclusive edit of A/Just/Ted's futuristic sounding A Brighter Light, a track that layers minimal synths over a soulful vocal, culminating in a juxtaposed nod to early nineties house. Groove Armada's Always Take Me Higher is a continuation of their recent experiments with rave and whilst it marks the point the album strays furthest from disco it's difficult not to enjoy the rounded drum kicks and stretched bass sound. following that Maceo Plex's take on Laura Jones' Love In Me is pure futurism - Maceo's trademark elastic bass applied to Jones' iconic track to create a tent pole moment.

Needwant's own release Return It by Kim Ann Foxman offers a more melodic, disco sound - a warm, acid vocal track that perfectly blends to past and the future. Crosstown Rebels' Francesca Lombardo, whom I've praised before, gets a worthy appearance in the form of progressive Sofiel, mixing in to Crazy P's fantastic disco-ballad Heartbreaker.

The album draws to a close with Satin Jackets' Balearic Make Me Feel Good, featuring sunny guitar licks and hot looping vocals, and Marius Varied's Vallefaret. It's a well pitch end, with the piano keys and gently looping drums creating a soft-filtered tribute to dancing outside in the hot evening air before the delicate female vocal of final track Clair de Lune by Flight Facilities finally drop in. For the record I'd kill to hear someone drop a sax solo on Vallefaret. Golden.

Overall Future Disco Vol. 6 is another quality release in the series, and it benefits from a slightly tighter focus than the last entry. There are still probably as many tracks here you'll know as ones you don't, but it's a nice way to consume some of the past year's best disco influenced electronic music.

​Future Disco Vol. 6: Night Moves is released through Needwant on 4 March, available for pre-order from Amazon.co.uk on CD and MP3 [affiliate links].

EP Review: Sensoramic - Laura Jones

Believe it or not Sensoramic is Laura Jones debut solo EP release. It says a lot about the impact of her work that I struggle so much to get my head around that fact, but she has actually only featured on other artists releases, split releases and compilation EPs. She has had several notable tracks since her 2011 break but none quite matches 'Love In Me' in terms of appeal and acclaim, having held the number spot on Beatport for several weeks.

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Sensoramic - Laura Jones

The influence of the artists Jones has collaborated with and the labels involve (both Visionquest, whom this release is from, and Jones' other regular label Crosstown Rebels) is fairly clear. Sensoramic is more minimal in approach. Where 'Love In Me' relied on a nod to 90s Euro-house for it's appeal this release is much more unashamedly contemporary.

The maturity works. Opening with 'Let Me In', Laura creates a moody, distant track full of hushed desperation. A deep bass shuffles beneath the track whilst cool xylophone-esque chimes play out an accompany to widescreen synths. The EP also includes a dub version of 'Let Me In' built around that bass line and layered cuts of Jones' vocal, creating something a little deeper for the dance floor.

Next track 'Loose Myself' is claustrophobic, elastic bass effects and rigid drum patterns creating a dark atmosphere that Jones is unafraid to keep maintain at a slow and precise pace. The track gradually builds to a bouncy bass line that does nothing to lighten the mood, delivering an epic and introspective conclusion.

Final track 'Every Thought' continues the introspective theme, creating a melodic collage of delayed synths, gradually decaying keys and plenty of filters and effects.

The EP is at its finest when opened up to the loose chime playing and contrasting depth of 'Let Me In' but the whole release grows the producer's sound convincingly.

Sensoramic is released through Visionquest on 4 February.