Album Review: FabricLive 50 - dBridge & Instra:mental present Autonomic

dBridge & Instra:mental's Autonomic mix for FabricLive eschews expectations for a drum 'n' bass mix by slowing things down. Right down.

After collaborating on a track together, dBridge and Instra:mental collaborated to form Autonomatic - ultimately a club night with spin-offs, the most significant of which is, as the press release say, ultimately a style of music.

Because FabricLive 50 doesn't just slow things down. It is considerably slower than even a breakbeat set, with the tempo coming in below a chilled out 100bpm. This is still distinctively dnb though, and both dBridge (formerly part of the fairly legendary Bad Company) and Instra:mental clearly know their craft.

The album opener, Riva's 'Seems Like', glides a soulful vocal over a spacious backing that gently melds into Instra:mental's own 'From The Start' but as soulful as the whole thing feels the beats are deep, percussive and ultimately pure liquid drum 'n' bass.

But slow drum 'n' bass sounds about as much fun as stretching out the Queen's speech to last the whole of Christmas day, Boxing day and maybe even right up to New Year's Eve... Surely the point is that it gets you moving, the rolling basslines, pitched vocals, and the last thing we want is more bloody dubstep.

But as we said, dBridge and Instra:mental clearly know what they are doing. Just as liquid dnb made BlackPlastic's heart go aquiver about eight years ago by giving the genre vocals and, as a result, a tune, FabricLive 50 works because of the space the production gets. There are relatively few vocals here as it happens but the speed gives the album an intelligent, soulful feel more reminiscent of Jazzanova and the Compost label than any dnb or dubstep we ever heard.

FabricLive 50 is actually fairly reminiscent of Global Communication's Fabric album (Fabric 26), robotic yet soulful... Ferocious let subtle. By redefining what drum 'n' bass is dBridge and Instra:mental have just pushed a genre forward that desperately needed innovation. Dubstep be damned - dnb died and Autonomic just brought it back.

BP x

Check out the 30-minute promo mix over at Fabric's MixCloud page.

FabricLive 50 is out on 15 February, available for pre-order from Amazon.co.uk on CD [affiliate link].

Album Review: Fabric 50 - Various mixed by Martyn

Somehow both 2008 and 2009 seem to have been proclaimed "The Year of Dubstep"... Something that quite frankly bores BlackPlastic to tears because, well... It's just slowed down UK Garage really, isn't it? And you can try and big it up to be something more than that but as 'new genres' go it's treading what is already pretty well trodden ground. So Fabric 50, compiled and mixed by Martyn, is yet another bloody dubstep compilation.

Yet, actually, it's pretty darn good. And BlackPlastic can't really agree that this is any more 'dubstep' than it is 'nu skool breaks'. Or any other breaks genre really because in all honesty this shares more with the bass heavy breaks sound of early Stanton Warriors than any dubstep we ever heard.

Semantics aside Fabric 50 may be good, but it actually makes a bad first impression. Hudson Mohawke's opener 'Joy Fantastic' does a serviceable impression of Stankonia-era Outkast - it is fine but hardly as good as the real thing. And whilst Nubian Mindz's 'Bossa Boogie' is actually an enjoyably chunky take on breakbeat things begin to head downhill from there. Altered Native's 'Rass Out' is instantly forgettable and Zomby has two tracks early on in the album that utterly fail to justify the hype heaped upon him.

But things quickly turn around on DJBone's 'We Control The Beat'. It's an absolutely lush, warm slice of sound the introduces a house feel to Martyn's set that is more or less kept through to the end from that point on. Before you know it you're dizzy, staring at the floor to Martyn's dubby-ska mix of Detachments' 'Circles' and Joy Orbison's soulful and snappy 'Brkln Clln' (Broklyn Calling?).

And BlackPlastic can't help but feel that this slowed down garage album specifically just might be worth getting excited about. The twee pitched up samples of Burial come off like Sweet Female Attitude on PMT. But in comparison whilst Joy Orbison and Martyn may not justify a whole new genre tag (it's still just soulful breakbeat) they definitely worth listening to. Roska's mix of Martyn's 'These Words' is thick and paranoid and delicious and, unsurprisingly, it is Martyn's own productions that really shine in this mix - 'Friedrichstrasse' being another prime example.

Closing on Jan Driver's relative hard 'Rat Alert' followed by the funky and filtered 'Trilingual Dance Sexperience' by Dorian Concept, Fabric 50 is a confusing mix to the end. It's eclectic and confused and it starts badly, yet there it also clearly demonstrates why Martyn is one to watch.

BP x

Fabric 50 is out now, available from Amazon.co.uk on CD and MP3 [affiliate links].

Album Review / MP3 Download: FabricLive 49 - various mixed by Buraka Som Sistema

Judging by FabricLive 49 Burakama Som Sistema are a goddamn cussing noisy bunch. Make no mistake, this album feels like being tied to the front of Alton Tower's biggest rollercoaster (is that still the Oblivion?) for an hour or so with an emotionally epic hangover.

To be honest BlackPlastic was ready to slate it but instead we will say this - you will like FabricLive49 if:

• You like the sound that several travelling fair grounds would make if you put then all in the same place at once and told them to SCREAM IF YOU WANNA GO FAAAAAASTTAAAAAA!
• You hate your own head.
• You have some incredibly persistent guilty voice inside your soul constantly reminding you that you butchered your mother.
• You are on more drugs than BlackPlastic has ever tried.

There are a few better moments but, in all honesty, they are not good - they just gave BlackPlastic a bit of a breather because they didn't sound like a baby screaming.

It might be built to sound like a soundclash but to BlackPlastic it just IS a soundclash.

Download the full version of 'Kurum (Roulet Remix)' by Buraka Som Sistema, which appears on FabricLive 49 for a taste [right click, save as].

BP x

FabricLive 49 is out tomorrow, available for pre-order now from Amazon.co.uk on CD [affiliate link].

Album Review: Fabric 49 - various mixed by Magda

Fabric 49 technically hits the streets a month late because, goddamit, this is the most Halloween Fabric have ever got. Compiled and mixed by Magda (of Richie Hawtin's legendary Minus label) it's a spooky set of minimal, carved up with weird samples disorientating sounds.

If you haven't heard Magda DJ before then the sheer darkness of this album is reminiscent of The Glimmers' (or Glimmer Twins as they were then known) two Serie Noire compilations released on Eskimo five or six years back. The difference is that Fabric 49 contains much more upfront minimal techno compared to the John Carpenter soundtracks and early no-wave of the Glimmers' discs - this is a set clearly aimed at making you move.

And it still pretty much works - straddling a divide between atmosphere and dancing. Most of the tracks themselves are fairly nondescript but that is kind of the point. In contextualizing them, cutting several records together and never playing just one song at a time Magda has created something which feels like much more than the some of its parts... This is a mix that packs serious atmosphere.

It's true that things occasionally misfire and there are portions of the mix that are just too dry but when it is good, particularly on the closing third, Fabric 49 delivers something pretty special.

BP x

Fabric 49 is out now, available on Amazon.co.uk on CD [affiliate link].

Album Review: FabricLive 48 - various mixed by Filthy Dukes

FabricLive 48 is something of a return to form for the series. Of sorts at least.

Following a recent mixture of slightly too fashionable, genre-of-the-moment artists and non-descript mixes FabricLive 48, under the control of the Filthy Dukes, gets back to the bread and butter of what the FabricLive discs can be when they are at their best.

It's eclectic, wonky disco, house and acid drenched tech-house. And it is pretty much all right up BlackPlastc's street. Aeroplane's mix of Sébastien Tellier's 'Kilometer' is still gloriously paced, thick like treacle. 80skidz 'Miss Marz' still sounds timeless, energetic with a hint of melancholy and The Proxy remix of Tiga's 'What Your Need' descends into suitable chaos as the Soulwax mix of Daft Punk's 'Robot Rock' kicks in.

But here is the problem: you probably know all of these tracks. And you probably know most of the other tracks on the album too. There are some great, inventive moments - Mr Oizo's 'Pourriture 7' mixing into Jack Peñate's 'Tonight's Today' is one such stroke of genius. And some tracks are good enough to survive the exposure - we certainly don't resent hearing Lifelike's 'Sequencer' more than is strictly necessary. But, seriously... BlackPlastic does not need to hear Mujava's 'Township Funk' again. Probably ever.

FabricLive 48 is like a mix album made by a friend featuring a stack of you favourite records from the past year or so. It would be a great mix to hear out but without much inventiveness in the tracklist this is unlikely to keep you coming back.

BP x